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October 23rd, 2011

The following titles added to Virtual Library:

By Julius Evola

‘The Yoga of Power’, ‘Introduction to Magic’ (with the UR Group), ‘The Hermetic Tradition’, ‘Ride the Tiger’, ‘Meditation on the Peaks’;

by Martin Lings

Collected Poems, ‘What Is Sufism?’

 

October 23rd, 2011

‘The Yoga of Power’ by Julius Evola and ‘Shakespeare in the Light of Sacred Art’ by Martin Lings added to Virtual Library

July 22nd, 2011

‘Revolt Against the Modern World’ and ‘The Mystery of the Grail’ by Julius Evola added to Virtual Library

May 12th, 2011

‘The Fundamental Principles of the Universe and the Origin of Physical Laws’ by Attila Grandpierre added

The Fundamental Principles of the Universe and the Origin of Physical Laws by Attila Grandpierre

In the Chaldean Magic the first realities are the primal principles: “ILU, the First Principle, the universal and mysterious source of all things, which is manifested in the trinity of ANU, the god of Time and and the World; HEA, the intelligence, which animated matter; and BEL, the demiurgus and ruler of the organized universe”. In the ancient Hungarian world-system the basic categories were the first principle of the Universe, ÉLET (the life-principle), and ILLAT (the principle of plant life), ÁLLAT (the principle of animal life) and ÉRTELEM (the principle of human life, reason). Later on, ancient Greeks preserved the more ancient notion of primal principles in the concept of “archi”. Chrysippus, the Stoic (possibly influenced by Scythian and Chaldean teachers) expressed the fundamental realities as: exis (the principle driving existence), physis (the principle driving plant life), psyche (the principle driving animal life), and nous (the principle driving human reason). In the Chinese universism the sky-earth-man, moral-spiritual-physical, natural-historical-national categories are the fundamental ones. In the Rig Veda the spirit-life-matter, sky-living beings-earth divisions are made. The Egyptian history of Creation starts with the appearance of the earth (matter), light (energy), life and consciousness. The Indian Sankhya-system regards the universal principle of Spirit and Matter as fundamental. In the Western culture Thomas Aquinas applies three fundamental categories: that of God, spirit and matter; the material reality shows again a threefold structure of animal, plant and mineral kingdoms. Wolff (1730), after Goclenius (1613) and Micraelius (1652) who were the first using the term ontology, regarded that the three main class of existents are the psychic, cosmic and theos; this division was held also by Kant.

, by KartaviryaPosted in Basic Concepts, Traditional Metaphysics | Leave a comment

Confession

She, my Belovèd, is a wondrous day;
And I, who love Her, I am life and death
And storm and lightning, and my word is wine;
The world lies in my blood and in my breath.

O thou who seekest me, do never ask
Which is my homeland, nor what is my name;
The Universe is made of Light and Love,
And from this Light and from this Love I came.

- Frithjof Shuon

From the archives

  • Sacred Art

    The Relations Between Religion and Art

    This article was written by Arthur Osborne and is taken from the January 1964 edition of the journal ‘Mountain Path’ available at www.ramana-maharshi.org Despite the secular spirit which swept over Europe at the Renaissance and has spread to the rest of the world in the present century, it would still be true to say that [...]
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  • Metapolitics

    Aristocracy And The Meaning Of Class Rule

    There is a great and pressing need today in general for a new and genuine aristocracy, especially among the European peoples and nations. Over the past centuries the old aristocracy has declined, degenerated, lost sight of its guiding Principle and has finally been destroyed by both intrinsic and extrinsic forces. Today we can hardly talk of there existing any true aristocracy. There exists a hierarchy which has been subverted and infiltrated, leading to “counter-aristocrats” sitting on key positions of power. [...]
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  • Basic Concepts

    About The Term “Traditional Authors” by Róbert Horváth

    The following text is entirely written by Róbert Horváth and is used by permission. The most eminent of the authors named “traditionalists” or “perennialists” are called “traditional authors” in Hungary. In this context, this latter expression should obviously be comprehended as contemporary, 20th or 21st century traditional authors. From the spiritual perspective – since traditionality [...]
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  • Basic ConceptsTraditional Metaphysics

    The Supreme Law Of Resonance

    For the western mind, the language of YOGA and other spiritual paths is many times difficult to descipher: the symbols and metaphors are a jungle where both initiates and (mostly) uninitiates are lost. The hidden key that opens all these secrets and lost meanings is Resonance. Resonance is very easy to understand for the western mind, so much centered on the scientific approach of reality. In the light of Resonance, all metaphors and symbols immediately start to make sense, becoming in [...]
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  • Basic Concepts

    Modesty, Intimacy and Routine

    This article is entirely written by Karlo Z. Valois and is used by kind permission. People today live in a world that lacks any trace of modesty, intimacy and is build mostly on routine. Routine is the visible cause of the other two factors. If we don’t look at the situation linearly, but from a point of view that precedes all three elements, it is rationalism and a material weltanschauung that stems from the general tendency of involution, that could be [...]
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  • MetapoliticsSacred Art

    The Esoterism of Shakespeare’s Macbeth

    Having attended the new production of G. Verdi’s opera Macbeth at The Gothenburg Opera, I was quite surprised by the unexpected chosen interpretation of this great adaptation of Shakespeare’s masterpiece. (…) The main question I must raise is this: Why is it morally wrong of Macbeth to kill Duncan, if they are the same and why then is it morally right of Malcolm (through Macduff) to kill Macbeth? If they are the same, as they are displayed in Mr. Radok’s [...]
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