The original article titled “The Trap of False History” that was published on this site was the work of Gyula Tóth translated to English from the original Hungarian, and concerned Heribert Illig’s and Uwe Topper’s Phantom Time hypothesis in connection to the accuracy of the Hungarian chronicles. This very recently recorded lecture’s title is “The Sack of Rome, and – The Dark Ages?” and starts off by explaining the problem of the different calendars used in the world before, during and after the Middle Ages. What was the true purpose of inserting 300 years into European historiography? Was it done on purpose? In those crucial years, what significant events took place that were artifically disconnected from their original protagonists and who were these protagonists?
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Recent updates:
December 17th, 2015‘Metaphysics of War’ by Julius Evola added to Virtual Library
May 1st, 2014Gyula Tóth Video Lecture: “The Trap of False History 10 Years On” (with English subtitles) added
November 7th, 2013‘The end of the Kali Yuga in 2025: Unraveling the mysteries of the Yuga Cycle’ by Bibhu Dev Misra added
October 23rd, 2011The following titles added to Virtual Library:
By Julius Evola
‘The Yoga of Power’, ‘Introduction to Magic’ (with the UR Group), ‘The Hermetic Tradition’, ‘Ride the Tiger’, ‘Meditation on the Peaks’;
by Martin Lings
Collected Poems, ‘What Is Sufism?’
These fought in any case, and some believing pro domo, in any case …..
Died some, pro patria,* walked eye-deep in hell believing in old men’s lies, then unbelieving came home, home to a lie, home to many deceits, home to old lies and new infamy;
usury age-old and age-thick and liars in public places.Daring as never before, wastage as never before.
Young blood and high blood, fair cheeks, and fine bodies;
- Ezra Pound
fortitude as never before
frankness as never before, disillusions as never told in the old days, hysterias, trench confessions, laughter out of dead bellies.
From the archives
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Basic Concepts
About The Term “Traditional Authors” by Róbert Horváth
The following text is entirely written by Róbert Horváth and is used by permission. The most eminent of the authors named “traditionalists” or “perennialists” are called “traditional authors” in Hungary. In this context, this latter expression should obviously be comprehended as contemporary, 20th or 21st century traditional authors. From the spiritual perspective – since traditionality […]
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Basic Concepts • Traditional Metaphysics
The Supreme Law Of Resonance
For the western mind, the language of YOGA and other spiritual paths is many times difficult to descipher: the symbols and metaphors are a jungle where both initiates and (mostly) uninitiates are lost. The hidden key that opens all these secrets and lost meanings is Resonance. Resonance is very easy to understand for the western mind, so much centered on the scientific approach of reality. In the light of Resonance, all metaphors and symbols immediately start to make sense, becoming in [...]
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Traditional Metaphysics
Metaphysics and the Perennial Philosophy
This is a transcript from a lecture given by Martin Lings at the Temenos Academy. “Ladies and gentlemen, I’ll just begin my talk by mentioning – and this refers to the talk is actually called: Metaphysics and the Perennial Philosophy, metaphysics coming first, that is, but that’s not an important detail, but it explains why I begin by mentioning – that René Guénon only once – as far as I know – entered into the academic world, which he did by [...]
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Metahistory • Sacred Art
The Mystery of the FUTHARK Alphabet
The alphabets of ancient Norse monuments found in both Europe and Central Asia have stemmed from a common origin in a very remote past. Then, it was only a natural development for the Turkish, and the Germanic tribes that, although in locations so far away from each other, they could seperately carry on with this heritage of writing. I hold the belief that I have been able to prove the claim summarized above by reading the monuments written in Futhark [...]
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Sacred Art
Interview with Peter Brook
Peter Stephen Paul Brook CBE, director, filmmaker, author, painter, pianist and theater man to the bone, is a giant of world culture. Born on the spring equinox in 1925, Brook produced an acclaimed Faust at Oxford at 17 and at 20 became the youngest-ever director of the Royal Shakespeare Theatre. He has since directed over 40 major stage productions, created ten films, and with multiple stage, cinema and television versions returned the dramaturgically languishing gods of India’s Mahabharata to full-time [...]
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Metapolitics • Sacred Art
The Esoterism of Shakespeare’s Macbeth
Having attended the new production of G. Verdi’s opera Macbeth at The Gothenburg Opera, I was quite surprised by the unexpected chosen interpretation of this great adaptation of Shakespeare’s masterpiece. (…) The main question I must raise is this: Why is it morally wrong of Macbeth to kill Duncan, if they are the same and why then is it morally right of Malcolm (through Macduff) to kill Macbeth? If they are the same, as they are displayed in Mr. Radok’s [...]
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