The original article titled “The Trap of False History” that was published on this site was the work of Gyula Tóth translated to English from the original Hungarian, and concerned Heribert Illig’s and Uwe Topper’s Phantom Time hypothesis in connection to the accuracy of the Hungarian chronicles. This very recently recorded lecture’s title is “The Sack of Rome, and – The Dark Ages?” and starts off by explaining the problem of the different calendars used in the world before, during and after the Middle Ages. What was the true purpose of inserting 300 years into European historiography? Was it done on purpose? In those crucial years, what significant events took place that were artifically disconnected from their original protagonists and who were these protagonists?
Latest article
Recent updates:
December 17th, 2015‘Metaphysics of War’ by Julius Evola added to Virtual Library
May 1st, 2014Gyula Tóth Video Lecture: “The Trap of False History 10 Years On” (with English subtitles) added
November 7th, 2013‘The end of the Kali Yuga in 2025: Unraveling the mysteries of the Yuga Cycle’ by Bibhu Dev Misra added
October 23rd, 2011The following titles added to Virtual Library:
By Julius Evola
‘The Yoga of Power’, ‘Introduction to Magic’ (with the UR Group), ‘The Hermetic Tradition’, ‘Ride the Tiger’, ‘Meditation on the Peaks’;
by Martin Lings
Collected Poems, ‘What Is Sufism?’
When the door has been opened throw away the key.
- Sufi saying
From the archives
-
Basic Concepts • Traditional Metaphysics
The end of the Kali Yuga in 2025: Unraveling the mysteries of the Yuga Cycle by Bibhu Dev Misra
And now we are living in the dark times of the Kali Yuga, when goodness and virtue has all but disappeared from the world. But when did the Kali Yuga begin? And when does it end? In spite of the elaborate theological framework which describes the characteristics of this age, the start and end dates of the Kali Yuga remain shrouded in mystery. The popularly accepted date for the beginning of the Kali Yuga is 3102 BC, thirty-five years after [...]
Continue reading » -
Sacred Art
Symbols And The Interpretation of Symbols: Two articles by Ananda K. Coomaraswamy
SYMBOLS and signs, whether verbal, musical, dramatic or plastic, are means of communication. The references of symbols are to ideas and those of signs to things. (…) The language of traditional art—scripture, epic, folklore, ritual, and all the related crafts—is symbolic; and being a language of natural symbols, neither of private invention, nor established by conciliar agreement or mere custom, is a universal language. The symbol is the material embodiment, in sound, shape, colour or gesture as the case may [...]
Continue reading » -
Metahistory
The Trap of False History
When Heribert Illig developed his theory known as the Phantom Time theory he drew his arguments mainly from the history of the Western part of Europe. He drew attention to the immense amounts of forged documents that remains from the Carolingian empire, the Palatine Chapel of Aachen with its architectural features preceding its own time by several centuries, the extraordinary calendar correction of pope Gregory XIII and the conspicuous and inexplicable lack of any archaeological findings, being typical for the [...]
Continue reading » -
Traditional Metaphysics
Contemplations on the Concept of Spiritual Aristocracy
How could I possibly prove facts. Facts can only be indicated. Otto Weininger The belief that Science and Ratio is superior to Traditional and ancient knowledge confirms the belief in an evolutionary progress for the better, which is a typical sign of intellectual and spiritual stagnation. Anyone with eyes can see the fact of spiritual, […]
Continue reading » -
Metapolitics • Sacred Art
The Esoterism of Shakespeare’s Macbeth
Having attended the new production of G. Verdi’s opera Macbeth at The Gothenburg Opera, I was quite surprised by the unexpected chosen interpretation of this great adaptation of Shakespeare’s masterpiece. (…) The main question I must raise is this: Why is it morally wrong of Macbeth to kill Duncan, if they are the same and why then is it morally right of Malcolm (through Macduff) to kill Macbeth? If they are the same, as they are displayed in Mr. Radok’s [...]
Continue reading » -
Sacred Art • Traditional Metaphysics
Knowledge of the Symbol by Pietro Negri
According to Dante (Convivium, II, 1), ” texts can be understood and expounded according to four senses”: the literal sense; the allegorical sense, which Dante says, “is a truth concealed behind a beautiful lie’; the moral sense; and the anagogical sense. The anagogical sense occurs when “reading in a spiritual way a scriptural passage, which in its literal meaning and in the things being signified points toward the things of eternal glory”; in other words, it is the innermost meaning [...]
Continue reading »