And now we are living in the dark times of the Kali Yuga, when goodness and virtue has all but disappeared from the world. But when did the Kali Yuga begin? And when does it end? In spite of the elaborate theological framework which describes the characteristics of this age, the start and end dates of the Kali Yuga remain shrouded in mystery. The popularly accepted date for the beginning of the Kali Yuga is 3102 BC, thirty-five years after the conclusion of the great battle of the Mahabharata. This is remarkably close to the proposed beginning of the current “Great Cycle” of the Mayan Long Count Calendar in 3114 BC. It is of interest to note that in both of these cases the beginning dates of the respective cycles were calculated retrospectively. The Mayans had recomputed their ancient calendars sometime between 400 BC to 50 CE, at the ceremonial center of Izapa in Mexico, and fixed the starting date of the current Great Cycle of their Long Count Calendar. And in India, sometime around 500 CE, a major review of the Indian calendric systems had taken place. It was during this time that the renowned astronomer Aryabhatta had identified the beginning date of the Kali Yuga as 3102 BC. Why was it suddenly necessary for two ancient civilizations to re-calculate dates that should have been an integral part of their calendric systems? How did such important time-markers slip out of their collective memory?
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Recent updates:
December 17th, 2015‘Metaphysics of War’ by Julius Evola added to Virtual Library
May 1st, 2014Gyula Tóth Video Lecture: “The Trap of False History 10 Years On” (with English subtitles) added
November 7th, 2013‘The end of the Kali Yuga in 2025: Unraveling the mysteries of the Yuga Cycle’ by Bibhu Dev Misra added
October 23rd, 2011The following titles added to Virtual Library:
By Julius Evola
‘The Yoga of Power’, ‘Introduction to Magic’ (with the UR Group), ‘The Hermetic Tradition’, ‘Ride the Tiger’, ‘Meditation on the Peaks’;
by Martin Lings
Collected Poems, ‘What Is Sufism?’
We fashion wood for a house, but it is the emptiness inside that makes it livable. We work with the substantial, but the emptiness is what we use.
- Tao Te Ching 11
From the archives
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Traditional Metaphysics
Contemplations on the Concept of Spiritual Aristocracy
How could I possibly prove facts. Facts can only be indicated. Otto Weininger The belief that Science and Ratio is superior to Traditional and ancient knowledge confirms the belief in an evolutionary progress for the better, which is a typical sign of intellectual and spiritual stagnation. Anyone with eyes can see the fact of spiritual, […]
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Metahistory • Sacred Art
The Mystery of the FUTHARK Alphabet
The alphabets of ancient Norse monuments found in both Europe and Central Asia have stemmed from a common origin in a very remote past. Then, it was only a natural development for the Turkish, and the Germanic tribes that, although in locations so far away from each other, they could seperately carry on with this heritage of writing. I hold the belief that I have been able to prove the claim summarized above by reading the monuments written in Futhark [...]
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Basic Concepts
Modesty, Intimacy and Routine
This article is entirely written by Karlo Z. Valois and is used by kind permission. People today live in a world that lacks any trace of modesty, intimacy and is build mostly on routine. Routine is the visible cause of the other two factors. If we don’t look at the situation linearly, but from a point of view that precedes all three elements, it is rationalism and a material weltanschauung that stems from the general tendency of involution, that could be [...]
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Metapolitics • Sacred Art
The Esoterism of Shakespeare’s Macbeth
Having attended the new production of G. Verdi’s opera Macbeth at The Gothenburg Opera, I was quite surprised by the unexpected chosen interpretation of this great adaptation of Shakespeare’s masterpiece. (…) The main question I must raise is this: Why is it morally wrong of Macbeth to kill Duncan, if they are the same and why then is it morally right of Malcolm (through Macduff) to kill Macbeth? If they are the same, as they are displayed in Mr. Radok’s [...]
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Sacred Art
The Relations Between Religion and Art
This article was written by Arthur Osborne and is taken from the January 1964 edition of the journal ‘Mountain Path’ available at www.ramana-maharshi.org Despite the secular spirit which swept over Europe at the Renaissance and has spread to the rest of the world in the present century, it would still be true to say that […]
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Sacred Art
The Subversion Of Art
The modernistic definition of art is that art is a mirror of our society. Society – and nowadays also the global world – should be reflected in art. It is considered its duty and its very purpose, together with the firm apprehension – typical of modernism – that through progress, art has developed this important role of giving a critical and different view of how to solve societies’ imperfections. This is totally false. The problem is that art is [...]
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